What is the etiquette around photography — can I photograph people in Morocco?

Morocco is one of the most photogenic countries on earth — the light, the colours, the textures of the medinas — so the camera comes out constantly, and that is exactly why photography etiquette matters here. The single rule I drill into every traveller is simple: ask before you photograph a person. A smile, a gesture toward your camera, a 'mumkin?' (may I?) — it takes two seconds and it is the difference between a respectful exchange and treating someone as a prop. Many Moroccans, particularly older people and women, genuinely dislike being photographed by strangers, and some hold religious or personal reservations about it.

There is also a transactional layer to be aware of, especially in the famous square, Jemaa el-Fnaa in Marrakech. The snake charmers, monkey handlers, water sellers in their fringed hats, henna artists and musicians are working, and a photo is part of how they earn — point a lens their way and you will quite reasonably be asked for a few dirhams. This is not a scam; it is the deal. If you do not want to pay, do not photograph them, and be aware that even a wide shot 'of the square' that clearly features someone can prompt a request. Keep small coins handy if you intend to shoot the performers.

Beyond people, the rest is wonderfully open. Architecture, doorways, rooftops, souks, food, landscapes, the dunes — photograph away. A few sensitivities to keep in mind: avoid photographing inside the working areas of mosques (and remember most are closed to you anyway), be discreet around military sites, police, government buildings and border or royal palace areas where photography can be genuinely off-limits, and ask in any private setting like a home or a shop interior. In markets, snapping a vendor's beautiful spice pyramid usually goes down better if you have bought something or at least exchanged a friendly word first.

My honest take after years of this: the best photographs in Morocco come from connection, not stealth. The traveller who chats for a minute, buys a tea, lets the shopkeeper's kids ham it up for the lens, comes away with portraits full of warmth — and a story. The one who shoots people surreptitiously from the hip gets tense, defensive frames and occasionally a sharp word. Build a little rapport, accept that some people will say no, tip the performers who expect it, and Morocco will reward you with some of the most human images you will ever take.